Posts Tagged ‘everyman theatre’
Agatha Christie from the page to the stage on Booknotes
Agatha Christie’s iconic detective story, Murder on the Orient Express, has been adapted for the stage by Ken Ludwig. The Everyman Theatre’s Founding Artistic Director, Vincent Lancisi, directs.
Everyman presents two theatre giants in repertory
Take it from me: it is a truly extraordinary experience to see two of America’s most iconic plays performed one after the other at an afternoon matinee, followed by an evening performance, and featuring the same cast of actors. I invited an actor from each play to come in and share […]
An unlikely love story at Everyman Theatre
Everyman resident company member, Beth Hylton, is playing Rosemary, the female lead in a romantic comedy by award-winning John Patrick Shanley. She came to tell us about it.
Award winning playwright at Everyman
Director Donald Hicken has chosen the newest play by Pulitzer, Oscar and Tony Award-winning John Patrick Shanley for his next production at Everyman Theatre. Donald came in to talk about it.
Ibsen’s provocative play
Donald Hicken has a long association with Everyman Theatre, and he has directed the current production of the controversial play, Ghosts, by Norwegian playwright, Henrik Ibsen. He came in to discuss it.
Helen Alving’s secrets
Everyman Theatre’s resident actor, Deborah Hazlett, gave a highly acclaimed performance in Henrik Ibsen’s Hedda Gabler. Now she is taking on Mrs. Alving in the playwight’s Ghosts. She came in to talk about her role. […]
Tribes – It’s Not What It Sounds Like
Everyman Theatre can always be counted on to “engage, inspire, and transform” as their motto has it, and their current production of “Tribes,” running through June 22nd, is no exception. You can read my review of the play for the online magazine, MONOLOGGING, here. […]
The Dresser at Everyman
The Dresser is intriguing on so many levels. First of all, I was personally intrigued to learn that playwright, Ronald Harwood, was born in my hometown, Cape Town. He moved to the U.K. to pursue a career in the theatre, and The Dresser was based on his own experience working in that capacity for the […]
